17.019 file audio bebas royalti untuk "Midi Files Of Tone Rows"

Leading-tone seventh chord in C major.

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Gruppen tone row (Stockhausen 1963b, 116; Harvey 1975, 58; Misch 1998, 161; Whittall 2008, 185).

*Eighty-third harmonic on C. Just: 83/64 = 450.05 cents. Limit: 83-limit. MIDI pitch bend: 2,80

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

Nederlands: demo kwarttonenquartertones

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

*Undecimal neutral seventh on C = B↑♭- (Ben Johnston's notation). 11:6 = 1049.36 cents. Limit: 11-limit.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Chord progression with diminished seventh chords added.

*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.

Vergleich der Adagios von Haydn op. 64/Nr. 5 und Beethoven op. 2/1

Ausschnitte aus der Klaviersonate Nr. 3 f-Moll. op. 5, von Johannes Brahms

Periodizität in Joseph Haydn Klaviersonate Hob. XVI/1

*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.

D♭7♯11 chord = G7alt chord.

Claude Debussy String Quartet (1893) second movement opening.

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

MIDI file created with GNU EasyABC of 'Make a Joyful Noise' 1900's by Herbert Hadwen Chandler (1865-1941)

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

Italiano: Scala di do frigio.

Generating chord for Michael Torke's Vanada (1984).

interval major 3rd melodic

Italiano: scala di do dorica (midi).

iv IV I V chord progression.

interval minor 6th melodic

interval tritone melodic

interval octave melodic

Italiano: Scala di do eolio.

Italiano: Scala di do lidio.

interval minor 2nd melodic

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 256th notes. =60.

interval minor 3rd melodic

interval minor 7th melodic

Italiano: Scala di do locrio.

interval perfect 4th melodic

interval major 7th melodic

minor 2nd interval melodic

Alexander Scriabin: opus 8.12

I created this file myself to illustrate the concept of interval class.

Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 512th notes. =60.

interval perfect 5th melodic

interval major 6rd melodic

Italiano: Scala di do mixolidio.

First part of Flute-Sonata Nr. 1 in D-Major

Sixteenth note fill in a rock/popular groove played on a drum kit.